Critic Andrew Achenbach writes in the July 2016 issue of Gramophone Magazine.

“To my ears, Fraser’s richly upholstered orchestration works a treat yet also manages to be astutely appreciative of the simmering passion and sense of loss that permeate this wistful creation (the Adagio slow movement is especially affecting). Plaudits, too, for Woods’s characteristically lucid and fervent performance with his own English Symphony Orchestra, opulently captured by balance engineer Simon Fox-Gál.”

Gramophone Elgar July 2016 Part 1

Gramophone Elgar July 2016 Part 2

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